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	<title>Janacek Arrangements for Easier Access</title>
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	<description>Arranging Janacek for easier access</description>
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		<title>Janacek Arrangements for Easier Access</title>
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		<title>Agnus Dei &#8211; Agnece Bozij</title>
		<link>http://janacekarranged.wordpress.com/2011/04/04/agnus-dei-agnece-bozij/</link>
		<comments>http://janacekarranged.wordpress.com/2011/04/04/agnus-dei-agnece-bozij/#comments</comments>
		<pubDate>Mon, 04 Apr 2011 17:05:07 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[guitar]]></category>
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		<category><![CDATA[Music]]></category>
		<category><![CDATA[music notation]]></category>
		<category><![CDATA[musical arrangements]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=223</guid>
		<description><![CDATA[Agnus Dei &#8211; Agnece Bozij.pdf Ethereal piece from the Glagolitic Mass arranged for guitar and optional violin. I was amazed how sweetly most of this fits on guitar. The middle section (bars 24-38) is more problematic. It might be best &#8230; <a href="http://janacekarranged.wordpress.com/2011/04/04/agnus-dei-agnece-bozij/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=223&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://janacekarranged.files.wordpress.com/2011/04/agnus-dei-agnece-bozij.pdf">Agnus Dei &#8211; Agnece Bozij.pdf</a> Ethereal piece from the Glagolitic Mass arranged for guitar and optional violin. I was amazed how sweetly most of this fits on guitar. The middle section (bars 24-38) is more problematic. It might be best to omit it. I&#8217;ve simplified the melody. Each note should be sounded a quaver later than I&#8217;ve written, but that&#8217;s a bit too subtle for my ears to pick up.</p>
<p>A computer version can be heard at  http://musescore.com/score/5420</p>
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		<title>Tod Umrel</title>
		<link>http://janacekarranged.wordpress.com/2011/04/01/tod-umrel/</link>
		<comments>http://janacekarranged.wordpress.com/2011/04/01/tod-umrel/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 21:50:10 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
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		<category><![CDATA[guitar]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=218</guid>
		<description><![CDATA[Tod Umrel.pdf Heatbreakingly sad passage from act II of Jenufa. Apologies to Czech speakers for not using accents. This act contains some of the most tender and poignant music ever. From bar 30 on I like to play it ad &#8230; <a href="http://janacekarranged.wordpress.com/2011/04/01/tod-umrel/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=218&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://janacekarranged.files.wordpress.com/2011/04/tod-umrel.pdf">Tod Umrel</a>.pdf Heatbreakingly sad passage from act II of Jenufa. Apologies to Czech speakers for not using accents. This act contains some of the most tender and poignant music ever. From bar 30 on I like to play it ad lib over the long peddled bass note.</p>
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		<title>Taras Bulba coda  guitar solo</title>
		<link>http://janacekarranged.wordpress.com/2011/03/28/taras-bulba-coda-guitar-solo/</link>
		<comments>http://janacekarranged.wordpress.com/2011/03/28/taras-bulba-coda-guitar-solo/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 19:48:24 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=200</guid>
		<description><![CDATA[Even more ambitious &#8211; without the violin.  Taras Bulba coda guitar.pdf<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=200&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Even more ambitious &#8211; without the violin.  <a href="http://janacekarranged.files.wordpress.com/2011/03/taras-b-coda-gtr.pdf">Taras Bulba coda guitar</a>.pdf</p>
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		<title>Taras Bulba coda violin &amp; guitar</title>
		<link>http://janacekarranged.wordpress.com/2011/03/28/197/</link>
		<comments>http://janacekarranged.wordpress.com/2011/03/28/197/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 19:43:14 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=197</guid>
		<description><![CDATA[Taras Bulba coda violin &#38; guitar.pdf I know it&#8217;s overambitious, but it&#8217;s too good not to try. I&#8217;ve arranged the rest of the movement too.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=197&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://janacekarranged.files.wordpress.com/2011/03/taras-coda-vln-gtr.pdf">Taras Bulba coda violin &amp; guitar</a>.pdf</p>
<p>I know it&#8217;s overambitious, but it&#8217;s too good not to try. I&#8217;ve arranged the rest of the movement too.</p>
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		<title>Katya Kabanova End of Act 2 guitar solo</title>
		<link>http://janacekarranged.wordpress.com/2011/03/28/180/</link>
		<comments>http://janacekarranged.wordpress.com/2011/03/28/180/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 19:39:27 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=180</guid>
		<description><![CDATA[Katya Kabanova End of Act 2 guitar solo.pdf Like many Janacek excerpts, it would be easy to turn this into a pop song.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=180&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://janacekarranged.files.wordpress.com/2011/02/katya-act2-gtr.pdf">Katya Kabanova End of Act 2 guitar solo</a>.pdf</p>
<p>Like many Janacek excerpts, it would be easy to turn this into a pop song.</p>
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		<title>Intimate Pages 3rd. Movement guitar solo</title>
		<link>http://janacekarranged.wordpress.com/2011/02/26/intimate-pages-3rd-movement-guitar-solo/</link>
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		<pubDate>Sat, 26 Feb 2011 21:54:26 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=189</guid>
		<description><![CDATA[Intimate pages 3rd. Movement solo guitar.pdf This movement is full of weeping and joy and ecstasy and maybe the guitar can&#8217;t express it fully, but it&#8217;s fun to try. By raising the pitch a semitone it becomes much easier to &#8230; <a href="http://janacekarranged.wordpress.com/2011/02/26/intimate-pages-3rd-movement-guitar-solo/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=189&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://janacekarranged.files.wordpress.com/2011/02/intimate-pages-3-gtr3.pdf">Intimate pages 3rd. Movement solo guitar.pdf</a> This movement is full of weeping and joy and ecstasy and maybe the guitar can&#8217;t express it fully, but it&#8217;s fun to try.</p>
<p>By raising the pitch a semitone it becomes much easier to play for most of the piece. Unfortunately the climax (bars 58-60) now falls on a C# chord which is hard to play with sufficient force. I suggest trying out different approaches (natural harmonics, inversions whatever).</p>
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		<title>Intimate Pages 3rd. Movement guitar violin</title>
		<link>http://janacekarranged.wordpress.com/2011/02/25/154/</link>
		<comments>http://janacekarranged.wordpress.com/2011/02/25/154/#comments</comments>
		<pubDate>Fri, 25 Feb 2011 22:44:15 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=154</guid>
		<description><![CDATA[Intimate pages 3 gtr vln.pdf Third movement of 2nd. String Quartet this time in easier keys.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=154&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://janacekarranged.files.wordpress.com/2011/02/intimate-pages-3-gtr-vln.pdf">Intimate pages 3 gtr vln.pdf</a> Third movement of 2nd. String Quartet this time in easier keys.</p>
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		<title>Intimate Pages 2nd. Movement</title>
		<link>http://janacekarranged.wordpress.com/2011/02/14/intimate-pages-2nd-movement/</link>
		<comments>http://janacekarranged.wordpress.com/2011/02/14/intimate-pages-2nd-movement/#comments</comments>
		<pubDate>Mon, 14 Feb 2011 14:58:58 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=152</guid>
		<description><![CDATA[With this movement I&#8217;ve raised it a semitone and relied on the violin for intensity. Of course the full quartet sound is incomparably more exciting, but this gives a guitarist the chance to participate. Intimate Pages II.pdf You can hear &#8230; <a href="http://janacekarranged.wordpress.com/2011/02/14/intimate-pages-2nd-movement/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=152&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>With this movement I&#8217;ve raised it a semitone and relied on the violin for intensity. Of course the full quartet sound is incomparably more exciting, but this gives a guitarist the chance to participate. <a href="http://janacekarranged.files.wordpress.com/2011/02/intimate-pages-ii.pdf">Intimate Pages II.pdf</a></p>
<p>You can hear a virtual version of this piece at <a rel="nofollow" href="http://musescore.org/en/node/9266" target="_blank">http://musescore.org/en/node/9266</a></p>
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		<title>Death (Smrt)</title>
		<link>http://janacekarranged.wordpress.com/2010/12/05/death-smrt/</link>
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		<pubDate>Sun, 05 Dec 2010 18:00:33 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=113</guid>
		<description><![CDATA[Death (Smrt).pdf This completes the piano sonata, written after the death of a student at a demo in 1905. I&#8217;ve had a lot of trouble with the climax trying to include the high echoes, but I think it can be &#8230; <a href="http://janacekarranged.wordpress.com/2010/12/05/death-smrt/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=113&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://janacekarranged.files.wordpress.com/2010/12/smrt-gtr-fin.pdf">Death (Smrt).pdf</a></p>
<p>This completes the piano sonata, written after the death of a student at a demo in 1905. I&#8217;ve had a lot of trouble with the climax trying to include the high echoes, but I think it can be played.</p>
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		<title>Forboding (Predtucha)</title>
		<link>http://janacekarranged.wordpress.com/2010/12/05/forboding-predtucha/</link>
		<comments>http://janacekarranged.wordpress.com/2010/12/05/forboding-predtucha/#comments</comments>
		<pubDate>Sun, 05 Dec 2010 17:56:21 +0000</pubDate>
		<dc:creator>janacekarranged</dc:creator>
				<category><![CDATA[classical guitar]]></category>
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		<guid isPermaLink="false">http://janacekarranged.wordpress.com/?p=110</guid>
		<description><![CDATA[Forboding (piano sonata).pdf I&#8217;ve taken more liberties with this arrangement than any of my others (aside from the necessary simplification for guitar). But since Janacek attempted to both burn and drown this piece, why should he care. It would have &#8230; <a href="http://janacekarranged.wordpress.com/2010/12/05/forboding-predtucha/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=janacekarranged.wordpress.com&amp;blog=16819353&amp;post=110&amp;subd=janacekarranged&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://janacekarranged.files.wordpress.com/2010/12/forboding-gtr-fin.pdf">Forboding (piano sonata).pdf</a> I&#8217;ve taken more liberties with this arrangement than any of my others  (aside from the necessary simplification for guitar). But since Janacek  attempted to both burn and drown this piece, why should he care. It  would have been a terrible loss.</p>
<p>Usually I just move the piece up a semitone. Small parts of this I&#8217;ve moved sideways a semiquaver. And the four-note repeating motif is six notes in the original.</p>
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